By Will Giminaro

D’avine Joy Randolph is nothing short of a revelation. Her performance is rich with emotional depth and subtle nuance, allowing the audience to connect with her character on a profoundly human level. Each glance, pause, and line delivery feels intentional, drawing viewers deeper into her world. Paul Giamatti, as ever, remains one of Hollywood’s most consistently underrated actors. Here, he reminds us why, delivering a masterclass in restraint and pathos. His performance is a seamless blend of wit and melancholy, capturing a character that’s as exasperating as he is endearing.

Director Alexander Payne’s return to form is undeniable, solidifying his place as one of the great chroniclers of modern Americana. With “The Holdovers,” he adds another sharp, poignant black comedy to his storied repertoire. The relationship between Hunham and Angus begins with sharp antagonism but gradually evolves into one of mutual respect and understanding. Their journey serves as a testament to the transformative power of empathy and shared experience. Meanwhile, Mary’s presence is an emotional cornerstone, offering a maternal warmth that grounds the film’s more acerbic moments.

David Hemingway’s script is a triumph of wit, intelligence, and heart. The humor is biting but never cruel, the dialogue crackling with authenticity and charm. It’s the kind of screenplay that has you laughing one moment and quietly reflecting the next. The 70s aesthetic is palpable, from the textured editing choices to the slow, deliberate zoom-out shots that capture the isolation and stillness of a dreary winter campus. This retro touch doesn’t feel like mere nostalgia—it’s integral to the film’s mood and storytelling.

“The Holdovers” might just become the new, unofficial Christmas classic of the season. It’s a film that lingers with you, not because of its spectacle, but because of its heart, humor, and humanity. With unforgettable performances, razor-sharp writing, and meticulous direction, it’s a cinematic gift worth revisiting year after year.